I’m really excited and proud to announce that Cabinet of Wonders is hosting the 14th edition of the Cabinet of Curiosities Blog Carnival!
Started by Tim Abbott of the excellent genealogy and history blog, Walking the Berkshires, the Cabinet of Curiosities is basically a show-and-tell of wonders, marvels and oddities (something close to our own hearts here at CoW) from museum collections, barely trodden corners of the internet and our own cabinets and shelves.
In keeping with our Fortean predilection, we’re away with the fairies for this Cabinet of Curiosities:

The Luck of Edenhall is a glass beaker decorated in gold and coloured enamels that was said to have been left behind by a troop of fairies who had been disturbed while drinking from a well in the grounds of Edenhall, Cumbria.
Considered to be linked to the fortunes of the Musgrave family, it was said to have been left behind when the fairies were interrupted in their merry-making by a butler, who had gone to draw water from St Cuthbert’s well. The last fairy to make a hasty retreat, screamed; ‘If this cup should break or fall, Farewell the Luck of Edenhall’.
The first printed account of the tale appeared in The Gentleman's Magazine for August 1791 and even inspired an 1834 ballad ‘Das Glück von Edenhall’ by Johan Ludwig Uhland (translated by Longfellow) that imagined the downfall of the family when the Luck was broken:
As the goblet ringing flies apart,
Suddenly cracks the vaulted hall;
And through the rift the wild flames start;
The guests in dust are scattered all,
With the breaking Luck of Edenhall!
In storms the foe with fire and sword;
He in the night has scaled the wall,
Slain by the sword lies the youthful Lord,
But holds in his hand the crystal tall,
The shattered Luck of Edenhall.
The Luck is 13th century Syrian in design but other than this, it’s early history is unknown. It may have been brought to Europe by a crusader returning from the Holy Land and it survived throughout the years thanks to a leather case - stamped and decorated with cut work - thought to have been made in France during the 14th century, made specifically for the beaker.
The glass eventually entered into the possession of the Musgrave family, of Edenhall in Cumberland, England, but its real origin was forgotten and gained the reputation of a fairy cup.
An account from the 1844 journal of nine-and-a-half year old Georgiana Rosetta Smyth, god-daughter of Sir George Musgrave, records:
'At our dinner Sir George brought the enchanted Cup, he told us that Duke Wharton used to throw it up in the air, and have a manservant to catch it again. We all drank out of it, the little Musgraves were not allowed to come into the room for fear of breaking it. Sir George showed us where the cup was kept, there was an Iron door and stone wall, in case of fire, the Cup was then put into a tin box.'.
The glass remained in the possession of the Musgrave family until 1926 when it was loaned to the V&A Museum. In 1958 it was finally acquired for the nation and now remains on permanent view in the Glass gallery.

Cumbria is also home to other such ‘lucks’ and you can find more about the Luck of Muncaster and of Burrell Green, here.

Tessa Farmer - Swarm (detail - devouring the dragonfly)
Other items from antiquity that were once widely believed to have been created by fairy hands:

This quartz arrowhead (a staple of any wunderkabinett or wunderkammer) may once have been used as a charm, possibly in the Scottish Highlands. Mounted in a gold and enamel pendant, the Gaelic phrase on the reverse of the arrowhead reads 'Saighead Shith', meaning 'Fairy Arrow'.
Prehistoric arrowheads were often believed to be 'elf bolts' or ‘fairy arrows’ shot by the fairies at animals and people. Such arrowheads would be worn by the finder as a counter-charm to prevent harm.
Similarly, curiously shaped but naturally occurring stones were often collected and believed to have protective properties against evil influences. Holed flints or pebbles were considered to be highly effective when worn as an amulet or displayed outside of dwellings. Below, these odd, natural concretion charmstones were found in Fairy Dean, Roxburghshire and donated to the National Museums of Scotland in 1857.

Staying in Scotland and moving onto a rather strange case that has never been resolved. In 1836, seventeen miniature coffins was discovered by several young boys looking for rabbit burrows at Arthur's Seat, Edinburgh. The coffins (also known as the fairy coffins) were found in a small gap in the rock, covered with thin pieces of slate, and arranged in three rows: the lower two of eight, and the upper of only one. They had been placed in the rock at different intervals and the lower layer of coffins showed signs of decay and wear.
Each coffin base was carved from a single piece of wood with lids attached with wire springs or pins, the exterior of the coffins decorated with tin ornaments. Each coffin held a carved wooden figurine or ‘poppets’, each in a unique funeral dress. The boys inadvertently damaged nine of the coffins and figurines (according to an article that appeared three weeks after the findings, they were damaged by the lads pelting one another with them!). In 1902, the remaining eight were donated to the museum of the Society of Antiquaries of Scotland, now part of the National Museums of Scotland.
Who carved the coffins and placed them on Arthur’s Seat remains a mystery, although numerous theories abound. Some suggest that they may have been a memorial, carved by someone who had lost members of their family. Another suggestion is that they represent the victims of the infamous resurrectionists and murderers, Burke and Hare - one suggestion even goes as far as they were the handiwork of Burke (whose death mask, skeleton and a book bound in his tanned skin can be found at Edinburgh University Medical school). Whoever was responsible for the poppets would surely never have conceived that their creations would stir the imagination of generations to come.
Many thanks to Tim for allowing CoW to be part of the Cabinet of Curiosities Blog Carnival. Also, grateful thanks to fellow blogger and forum regular, Min Bannister, for the invaluable information on the Arthur’s Seat coffins.

Fossilised Fairy - Takeshi Yamada’s Museum of World Wonders (via)